in Articles / Beginning / Concepts on Argentine tango, Awareness, Cross, Dynamic tension, Embrace, Grounding, Initiator, La crusada, Learning, Movement, Ocho technique, Posture, Responder, Sensitivity, Tangolab, Teaching, Technique, Vinyasa
We believe that everyone has to learn the same things, regardless of role.
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Reshared post from +Fred Sullivan
in Articles / Beginning / Concepts on Argentine tango, Basic lesson, Concepts, Connection, Embrace, Fluid movement, Followers technique, Grounding, Intention, Learning, Learning tango, Movement, Navigation, Posture, Presence, Questioning, Sensitivity, Steps, Teaching, Technique, Trial and error
The questionable argument is that, in the beginning, leaders have a steeper learning curve than followers.
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Here is a nice post about kiki and bouba and how +Murat Erdemsel links them to tango…
Here is a nice post about kiki and bouba and how +Murat Erdemsel links them to tango music. We use these idea’s to help our students learn to hear the music and the phrasing within. We even have colored paper cutouts on wands, to help with the idea. Believe it or not Biagi’s ‘Racing club’ is a great example of kiki and bouba phrasing. Another favorite of ours is Di Sarli’s ‘No Esta’. There are numerous choices that show these basic idea’s and even more that blur the lines by combining kiki and bouba as melodies and counter melodies,fills and accents. Dancing to both kiki and bouba at the same time is full of possibilities and the results can be amazing.
in Articles / Concepts / Uncategorized / Visualization on Argentine tango, Body awareness, Boleo, Class, Collection, Core, Fluid movement, Free hip, Grounding, Learning, Posture, Sacrum, Spiral charge, Square hips, Standing leg, Stretched spine, Tango, Tangobreath, Tangobreath class, Thinking, Torsion, Unweighted hip, Visualization
Visualization enables the best movement and posture possible
